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Override (2018). Motorbike handlebars. Photography by Jules Lister.

Override at The Art House, Wakefield - exhibition view (2018). Photography by Jules Lister.

Override at The Art House, Wakefield - exhibition view (2018). Photography by Jules Lister.

The Terms (2018). Chair, palette, cargo net. Photography by Jules Lister.

Untitled Anonymous (2018). Rubber sheet, rubber strip. Photography by Jules Lister.

Demon (2018). Cut-up, welded and part-polished motorbike handlebar, break wire, stainless steel wire grip. Photography by Jules Lister.

Cover Song (2018). Mild steel, stainless steel, padded leather arm rest, latex, rubber, cargo net, neoprene tube, metal hooks, dog clips. Photography by Jules Lister.

Abject Object (2018) - detail. Anti-climb paint, chair. Photography by Jules Lister.

Self-Amalgam. (2018) - Motorbike handlebars, padded leather arm rest. Photography by Jules Lister.

Passenger. (2018) - Rubber, steel. Photography by Jules Lister.

Above: Canopy (2017). Anti-pigeon net, stainless steel wire rope, stainless steel fittings, pvc, rubber, hot water cylinder jacket (flame retardant material and glass fibre). Below: Limited Desires (2017). Stripped car door, mild steel sheet. Photography by Chris Shaw

Limited Desires (2017). Stripped car door, mild steel sheet.

Photography by Chris Shaw.

Canopy (2017) - detail. Anti-pigeon net, stainless steel wire rope, stainless steel fittings, pvc, rubber, hot water cylinder jacket (flame retardant material and glass fibre). Photography by Chris Shaw.

Canopy (2017) - detail. Anti-pigeon net, stainless steel wire rope, stainless steel fittings, pvc, rubber, hot water cylinder jacket (flame retardant material and glass fibre). Photography by Chris Shaw.

Troll (2017). Stretched car seal, stainless steel screws, steel corner brace, custom steel fittings. Photography by Chris Shaw.

Simona Brinkmann, floor sculpture, Bridges Become Doors - Steel, Graphite. Metal floor sculpture, post-minimalism, contemporary art.

Bridges Become Doors (2012-2016). Steel, graphite.

Simona Brinkmann, Ungrammatical Anatomies II, Marmox insulation board, cement, fibreglass, steel, graphite. Barrier sculpture, installation, curve obstruction, crowd barrier, post-minimalism, contemporary art.

Ungrammatical Anatomies II (2014). Insulation board, steel, graphite. Photography by Ekphrasis.

Simona Brinkmann, Sacred Symmetries, The Making at The Agency London, aluminium tube parquet floor fragment, found tubular metal chair base, sculpture, contemporary art, incline floor, interior architectural fragments.

Sacred Symmetries (2015). Aluminium tube, found chair base.

Photography by Ekphrasis.

Simona Brinkmann, Quick Grip, shiny black rubber tube rope, hanging sculpture, contemporary art.
Simona Brinkmann,installation view, The Making at The Agency London, Sacred Symmetries, aluminium tube parquet floor fragment, found tubular metal chair base, sculpture, contemporary art, incline floor, interior architectural fragments. Quick Grip, black shiny rubber tube rope, hanging sculpture. Text piece by Philippa Snow.

The Making at The Agency, London - exhibition view (2015).

Photography by Ekphrasis.

Quick Grip (2015) - detail. Rubber tubing. Photography by Ekphrasis.

Simona Brinkmann, As If, polished steel floor sculpture, post-minimalsim, contemporary art, irregular grab rails, hand rails.

As If (2012). Polished steel. Photography by Ekphrasis.

Simona Brinkmann, Check Point - foam padded leather, steel, magnets, floor sculpture, contemporary art, post-minimalism, relief, brick pattern, modular sculptured, wall fragment, luxury obstruction, padded cell wall fragment, automotive interiors. Secret European Studio group show.

Checkpoint (2016). Foam-padded leather, steel, rubber, magnets. 

Photography by Ekphrasis.

Simona Brinkmann, Docile Brutes II, steel, rope, cattle grid sculpture installation, tension, barrier obstruction, contemporary art, post-minimalism.

Docile Brutes II (2014). Steel, rope.

Simona Brinkmann, Docile Brutes IV, burnished steel, leather straps, metal fittings, scaled down cattle grip sculpture, contemporary art, minimalism, barrier, obstruction. Hold On! solo show at The Agency, London.

Docile Brutes IV (2014). Burnished steel, leather, metal fittings. Photography by Ekphrasis.

Simona Brinkmann, Rig - leather, metal fittings, oak, metal chain. Hanging black leather strap sculpture, avant bridle, harness, horse tack, contemporary art, post-minimalism. Hold On! Solo show at The Agency, London.

Rig (2014). Leather, oak, metal fittings. Photography by Ekphrasis.

Simona Brinkmann, Untitled, mild steel and stainless steel wall sculpture, grab rail, hand rail, metal structure, contemporary art, post-minimalism. Hold On! solo show at The Agency, London.

Untitled (2014). Mild steel, stainless steel. Photography by Ekphrasis.

Simona Brinkmann, Underling - detail - oak, black leather straps, metal fitttings, avant bridle harness sculpture, installation, contemporary art, post-minimalism, Hold On! Solo show at The Agency, London.

Underling (2014) - detail. Oak, leather, metal fittings. Photography by Ekphrasis.

Simona Brinkmann, Training Camp - steel and graphite, metal sculpture, floor sculpture, collapsed gate doors, post-minimalism, contemporary art, infrastructures of control, crushed barrier, metal bars

Training Camp (2016) - detail. Steel, graphite.

Simona Brinkmann, Training Camp - steel and graphite, metal sculpture, floor sculpture, collapsed gate doors, post-minimalism, contemporary art, infrastructures of control, crushed barrier, metal bars

Training Camp (2016). Steel, graphite.

Simona Brinkmann, Fort Worth #7 - leather sand, black leather covered sandbag installation, cumulative modular sculpture, defensive architecture, luxury fortification, disaster art, contemporary art, post-minimalism, Vessel at KARST Projects Plymouth.

Fort Worth #7. Leather, sand. Photography by Foto+.

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Simona Brinkmann, Doublezero, giant three dimensional mirrored zero sculpture, body height, mirrored perspex, subverted minimalism, post-minimalism, contemporary art. Decimal sculpture. Reflective nothingness. Winner of the Clifford Chance Scultpure Award 2007.

Doublezero (2006). MDF, mirrored acrylic.  163cm x 226cm x 40cm.

Simona Brinkmann, severed black objects, sculpture staged for the camera, black objects, C-prints.
Simona Brinkmann, severed black objects, sculpture staged for the camera, black objects, C-prints.
Simona Brinkmann, severed black objects, sculpture staged for the camera, black objects, C-prints.

SIT! (2013). C-prints.

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